// Vest
3 Audio Tools That Are Useful in Every Setup
Sometimes the end result doesn’t depend on the most expensive gear, but on having the right tool in the right place. A good mixer, reliable headphones, and a practical accessory are often worth more than a pile of unnecessary features. Now we’re showing you three Invotone products that are there in the studio, in the rehearsal room, behind the console – and you actually use them.
1. Invotone MX6FX – compact mixer with built-in effects
The Invotone MX6FX is a 6-channel mixer that doesn’t try to be more than it is: decent I/O, usable EQ, built-in DSP effects. Two mono channels accept both XLR and balanced jack, plus there’s 48V phantom power for condenser microphones. Gain control, 75Hz low-cut filter – basics, but nothing works without them.
The remaining four channels can be used in mono or stereo mode with jack inputs. The 3-band EQ lets you quickly adjust if something’s too harsh or too dull, and the RCA IN/OUT is convenient when you want to connect a player or recorder. The DSP effects include reverb, delay, chorus – not high-end studio quality, but in live situations more than enough to add color to a vocal channel. For anyone mixing at smaller events, working in a rehearsal room or small club, this is a brutally practical little hub.
2. INVOTONE HD2000 – closed-back headphones that handle noise
The INVOTONE HD2000 is a closed-back dynamic headphone with 50mm drivers and 32-ohm impedance. It can be driven equally well from a phone, mixer, or DJ controller, and the 10Hz–25kHz frequency response nicely covers the entire spectrum. The 101dB sensitivity provides enough volume even in noisy environments – you don’t have to crank the gain all the way up to hear what’s playing.
The 2-meter cable comes with gold-plated 3.5mm and 6.3mm jack connectors, so it fits most devices directly. The closed-back design isolates well: sound doesn’t leak out, and external noise doesn’t come in as much. Behind a DJ console, for monitoring, in the studio – it holds its own everywhere. The whole thing weighs 200 grams, which won’t crush your head during extended use. A reliable work horse that doesn’t surprise you – in either a good or bad way.
3. Invotone WS6KIT – six-color mic foam that brings order when monitoring
The Invotone WS6KIT contains six different colored microphone foams: orange, green, blue, black, yellow, red. At first it might sound like a boring accessory, but anyone who’s mixed a multi-channel live set or worked in the studio with guest musicians knows how valuable color coding is.
You don’t need to keep a chart of which mic belongs to which singer – the color tells you instantly. On the mixer you can navigate immediately: the green channel is backing vocals, red is lead, blue is the guest. On tours, in rehearsal rooms, where the setup changes every day, this saves a brutal amount of time. Meanwhile, the foam protects against plosives and reduces wind noise – so it’s not just practical, but useful too.
How to choose?
None of these are high-end flagship products, but that’s exactly the point: a good setup isn’t about having the most expensive gear everywhere. It’s about having the right tool in the right place, and when you need it, it’s there, it works, it doesn’t cause stress. The Invotone MX6FX is what you need when you want a compact mixer with built-in effects. The INVOTONE HD2000 is for when you want reliable monitoring in noisy environments. The WS6KIT is for when you’re using multiple mics and don’t want to get confused between channels. Each one is a practical answer to a specific problem – and that’s the best recommendation you can give a tool.
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